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The Galt Museum & Archives have an extensive collection of hundreds of thousands of archival materials and collections items. Our collections are open to residents and researchers. You can search our collections database at https://collections.galtmuseum.com.
Our previous database offered researchers separate search sites for archives, collections and our library. Our new database has combined them all into one database and search function.
The process of capturing and preserving our history is never complete, nor is the history itself written in stone. We are always grateful to you for pointing out any errors you may notice. Too often the years go by and the opportunity to make corrections slips away.
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Archives
The Galt Museum & Archives collects and preserves information of permanent value to the study of the human history of Lethbridge and southwestern Alberta. We collect archival resources, like photographs, minutes, oral histories, and other documents, from both public and private sources and it is available to all researchers.
The legacy of Evan Gushul extends throughout southern Alberta. As the son of Ukrainian immigrants, Evan grew up with a profound appreciation for his Ukrainian roots. The Gushul children attended music lessons, Ukrainian language classes, and Ukrainian dance classes, with his parents instilling in him the values of hard work and perseverance. Throughout his life, Evan applied these lessons, forging a storied career of his own.
Though easily the most common form of body modification, the history of piercings often proves as subtle as the jewelry itself. Archaeological records suggest that humans have been piercing themselves for at least 5,000 years, often starting with the earlobe. Cultures worldwide have long used piercings to denote social characteristics or sacred rites.
Few constants exist in the ever-changing world of high school. Perhaps none have proven as nostalgically valuable as the portraits, signatures, and memories found in a high school yearbook. Much of Lethbridge’s own high school history sits in its shelves full of these volumes, dating as far back as 1922!
Not all humour ages gracefully, as anyone who grew up subjected to dad jokes can tell you. Context gets lost, punchlines become predictable; when was the last time a knock-knock joke got a laugh from you? It’s easy to see, then, how printed jokes in the newspaper fell out of fashion. This doesn’t mean, though, that old newspapers are entirely humourless today. Indeed, some jokes published over a century ago still prove funny today!
Sometimes, certain indicators—a scrap-paper bookmark here, a scribble on that corner—will pop out at just the right time, serving as immediate reminders of the people who used, owned, and, in many cases, loved these items. While the exact dates or authors of these personal touches can be hard to pin down, these small treasures can sometimes humanize the residents of Lethbridge’s past more than any catalogue or municipal record.
In January of 1923, Lethbridge resident E. G. Sterndale Bennett published a letter in the Herald. The column, a thoughtfully penned request to connect with theatre lovers like himself, received only one written response. This year, Sterndale Bennett’s theatre group celebrated their centennial. Clearly, an opening isn’t everything!
Whether you’re repulsed by or devoted to tattoos, it’s hard to deny their significance in human history. Ötzi the Iceman, a 5,000-year-old mummy, sported sixty-one small lines of ink around his body. Body modification has long been used around the globe to denote characteristics like strength, social standing, or battle experience. In modern-day Lethbridge, many of us wear them for a slightly less compelling reason; we like how they look!
Frequent travellers may be familiar with phrase books—dictionaries used during a trip to communicate in basic sentences, even if you don’t understand the local language. You may not know, however, just how far back these tools date!
With so many online platforms popping up around family history and DNA research, it’s clear that interest in the field of genealogy is increasing. And in part due to the pandemic, the online accessibility of other genealogical materials has increased dramatically as well. Despite all of these great online resources, to get a full picture of your family history you will eventually need to step foot into an archive to view important documents and photos in person. This can be a daunting idea if you have never visited an archive or don’t know how to access one. But it’s actually quite easy!
Collections
The mandate of the Galt’s collections is to actively collect human-made artifacts and intellectual property that illuminate the founding and development of Lethbridge and southwestern Alberta from the late nineteenth century to the present. In addition, we acquire materials that highlight the region’s Indigenous history, focusing on the culture of the Blackfoot Confederacy. All objects will be used for the exclusive purposes of preservation, research and presentation to the public.
Donations
The Galt Museum & Archives actively collects and solicits new artifacts on a year round basis. The Galt, however, will not accept a donation if conditions are attached to the offer.
Donations are reviewed by community-based Acquisitions Committee four times a year to determine the artifacts’ suitability relative to the mandate of the Galt Museum & Archives.
The committee also reviews the condition of the item and examines the existing collection to see if there are examples of similar items which already have been collected. If the item meets the Museum's criteria, the item is accepted into the collection.
This review process commonly takes from four to six months. If an artifact(s) is wanted for the Museum’s collection the donor will be informed and requested to sign a Certificate of Gift.
Endorsement of the Certificate transfers legal ownership of the artifact(s) to the Museum and to the City of Lethbridge.
Loans
The Galt Museum & Archives makes available for loan artifacts from its permanent collection and from its hands-on teaching collection on a temporary, conditional basis.
The Galt reserves the right to refuse loan requests for reasons including conservation and applicant unsuitability.
Candidates must adhere to all loan contract conditions. These conditions include, but are not limited to, maintenance of a proper display/ storage environment, adherence to all security requests and proof of insurance should the artifact become lost, stolen or damaged.
Conditions relative to the loan of artifacts are more stringent than those which apply to objects of the teaching collection.
But many objects in the Galt’s collections are essentially "voiceless.” Find out what that means and why in our most recent Galt’s Vaults video with Kevin MacLean.
Local military historian Glenn Miller and Collections Technician Kevin MacLean discuss the many things that they have learned by examining this uniform.
Collections Assistant Nicole Wilkinson discusses why handmade objects can make great museum objects full of connections and stories.
Collections Technician Kevin MacLean pens a love letter to a special group of Galt volunteers.
Collections Technician Kevin MacLean explains why contemporary objects like CD Players are added into the Galt’s permanent collection as important pieces of history.
After being separated in Lethbridge in the 1960s, how did a jacket and its original owners make their separate ways to the same community in the US decades later? It’s a mystery.
Collections Assistant Kirstan Schamuhn talks about how the Galt Museum & Archives collects objects and what the difference is between passive and active collecting, using a recent donation of buttons from Lethbridge Pridefest as an example.
If you want other people to value your stuff, you have to put it at risk; if you can, put it into use so that the people visiting you in your home can associate it with you and they can associate themselves with it too.
We get over a hundred calls a year form people interested in donating objects to the Galt Museum & Archives. The calls always start with a pitch about the objects. Usually, the first words uttered by the caller are “I’ve got an old-old-old thing…” and sometimes that is followed up with “…it’s museum quality.” But what is museum quality?
What makes a piece of clothing of interest to museums? It might not be what you expect!
Attribution
Please label your photo or other archival information obtained from the Galt with "Courtesy the Galt Museum & Archives | Akaisamitohkanao’pa" and include the UID number. Browsing through our database is free, but permission to use items from the database usually comes with an associated cost. Review our fee schedule if you have specific requests.